Repertoire

PiWall Repertoire

Every movement in the catalogue that can be performed on the PiWall.

Equipment

All PiWall 20

Difficulty

1 · Very easy 1 2 · Easy 8 3 · Intermediate 6 4 · Advanced 4 5 · Very advanced 1

Focus

Core 16 Back & spine 8 Legs & glutes 7 Arms & shoulders 11 Full body 6 Balance 3

16 movements

Salabhasana - Swan

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Salabhasana - Swan

In Yoga: It is fundamentally very similar to the Salabhasana (Locust Pose). Furthermore, because the torso is parallel to the ground and the arms are extended forward, it perfectly reflects the upper body sensation of an unsupported Virabhadrasana III (Warrior III) pose. In Pilates / General Fitness: It is an advanced, suspended variation of the prone Superman exercise or the Pilates Swan series, where the resistance of gravity is felt much more intensely.

Works Since this movement requires holding the body in a straight line on a horizontal plane against gravity, it intensely activates the entire posterior chain and core region isometrically (static contraction): · Erector Spinae (Spinal Erectors) · Core Muscles · Gluteus Maximus (Glutes) and Hamstrings

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Inverted Pike - Teaser

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Inverted Pike - Teaser

In Yoga: It is most similar to "Inverted Pike" positions in aerial yoga. In traditional mat yoga, it can be thought of as an inverted version of Prasarita Padottanasana (Wide-Legged Forward Bend) or a combination of Sirsasana (Headstand) and Prasarita Padottanasana. Keeping the legs open against a vertical wall in this manner resembles an advanced, wall-supported variation of Sirsasana. In Pilates: It can be seen as a suspended, inverted version of the "Teaser" or "Roll-Over" exercises performed on the Pilates Reformer. It requires an intensity similar to the core and leg stability needed on the Reformer.

Works This movement requires intense core and upper body engagement to balance the body in an inverted position and keep the legs at 90 degrees. The main muscle groups are: · Core · Upper Body · Legs and Hips

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Thigh Stretch - Ustrasana (Camel Pose)

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Thigh Stretch - Ustrasana (Camel Pose)

In Pilates: It is most similar to the "Thigh Stretch" exercise commonly performed on the Cadillac or Reformer. While this movement is typically performed against the resistance of springs or a Roll-Down bar, here it is performed against body weight with the support provided by the yoga wall straps. In Yoga: It resembles the preparatory phase of Ustrasana (Camel Pose) or dynamic kneeling backbend sequences. While traditional Ustrasana involves touching the heels, the goal here is to work against gravity while keeping the torso straight. In General Fitness: It is an assisted version of the famous "Reverse Nordic Curl" exercise, known for promoting knee health and leg strength.

Works This movement is a serious test of endurance and control, especially for the front of the legs and the core region: · Quadriceps (Front Thigh Muscles) · Core Muscles · Gluteus Maximus (Glutes)

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Eka Pada Adho Mukha Svanasana - Monkey

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Eka Pada Adho Mukha Svanasana - Monkey

In Yoga: Fundamentally, it is a sling-supported version of the Eka Pada Adho Mukha Svanasana (One-Legged Downward-Facing Dog / Three-Legged Dog) pose. At the same time, due to the effort of opening the legs towards a 180-degree angle, it bears an exact resemblance to the Urdhva Prasarita Eka Padasana (Standing Split) pose. In Pilates: It is a much deeper, wall-adapted variation of the inverted hamstring stretch and "Monkey" series, which are typically performed on the Cadillac (Trapeze Table) with "Fuzzy" loops or spring assistance.

Works This movement actively engages (strengthens) one half of the body while deeply stretching the other half and the posterior chain: · Hamstrings and Calves · Iliopsoas (Hip Flexors) · Shoulder Girdle and Arms (Deltoids, Triceps, Serratus Anterior)

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Adho Mukha Vrksasana - Full Inversion

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Adho Mukha Vrksasana - Full Inversion

In Yoga: It is a completely "weightless" (unburdened by gravity) version of the Sirsasana (Headstand) or Adho Mukha Vrksasana (Handstand) poses. It is the fully supported form of the "Rope Sirsasana" (Rope Headstand) practice frequently used in Iyengar yoga. It is also a wall adaptation of the inverted suspension (Bat Pose) positions found in Aerial Yoga. In Pilates: It exactly resembles the advanced "Full Inversion" or "Hanging" series performed on the Cadillac (Trapeze Table) using suspension apparatus ("fuzzies").

Works This posture focuses on passive elongation and deep rest rather than active force production. However, to keep the body in a straight line (like a rope), some muscles continue to work isometrically (statically): · Core Muscles · Leg Muscles (Quadriceps and Glutes) · Forearm and Grip Muscles

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Virabhadrasana II - Standing Lunge

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Virabhadrasana II - Standing Lunge

In Yoga: Visually and geometrically, it is most similar to the Virabhadrasana II (Warrior II) pose. This classic posture, where one leg is bent at 90 degrees, the other is extended straight, and the arms are opened parallel to the floor, is taken to a much deeper level with the use of a box. In Pilates: It is similar to the "Side Splits" performed on the Reformer or the "Standing Lunge" series performed with the addition of a box on the Wunda Chair / Reformer. The spring-loaded bar held in the hand perfectly reflects the arm and asymmetrical standing posture integrations performed on the Cadillac (Trapeze Table).

Works This movement demands flexibility and strength simultaneously in the lower body (dynamic stabilization), while requiring the upper body to resist spring tension: · Quadriceps (Front Thighs) and Gluteus Maximus (Glutes) · Adductor (Inner Thigh) Muscles · Core and Obliques (Side Abs)

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Feet in Straps - Urdhva Prasarita Padasana

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Feet in Straps - Urdhva Prasarita Padasana

In Pilates: This movement belongs directly to the Pilates repertoire. It is a wall-adapted version of the well-known "Feet in Straps" series (specifically Leg Lowers/Lifts or Leg Circles) performed on the Reformer. Furthermore, it shares the exact same mechanics as the "Leg Springs" exercise series performed on the Pilates Cadillac or Springboard. In Yoga: It is similar to Urdhva Prasarita Padasana (Supine Double Leg Lifts/Lowers), which is performed lying flat on the back on a mat, raising and lowering the legs completely straight. However, while gravity is the only source of resistance in yoga, this version involves dynamic resistance created by the springs.

Works Because this movement requires keeping the spine and pelvis stable (lumbo-pelvic stabilization) while moving the lower body, it is an excellent core exercise: · Core Muscles · Hamstrings and Gluteus Maximus (Glutes) · Iliopsoas and Quadriceps (Hip Flexors and Front Thighs)

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Kneeling Arm Springs - Anjaneyasana

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Kneeling Arm Springs - Anjaneyasana

In Pilates: It exactly resembles the "Kneeling Arm Springs" series performed on the Cadillac (Trapeze Table) or Springboard, specifically the single-arm row and torso stabilization exercises. Since it involves resisting the tension that tries to rotate the body, it is essentially a Pilates-adapted "Pallof Press" or an anti-rotation control movement. In Yoga: In terms of the lower body stance, it is a more upright variation of the Anjaneyasana (Low Lunge) pose, aligned at 90/90 degree angles (half-kneeling). Although there is no pull resistance in yoga, the philosophy of keeping the core stable in an asymmetrical stance is based on the same foundation as balancing asanas.

Works This movement is a functional "full-body" integration that combines lower body stabilization with the push/pull mechanics of the upper body: · Back and Arm Muscles · Core and Obliques (Side Abs) · Gluteus Medius and Pelvic Stabilizers

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Standing Chest Press - Virabhadrasana III

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Standing Chest Press - Virabhadrasana III

In Pilates: It exactly resembles the "Standing Chest Press" movement performed facing away from the wall on the Cadillac (Trapeze Table) or Springboard. However, resting the back leg against the wall and hinging the torso forward on a single leg (hip hinge) makes this movement just as complicated as the asymmetrical "Standing Lunge" on the Reformer or Wunda Chair balance series. In Yoga: In terms of the lower body's position, the forward alignment of the torso, and the element of balancing on one leg, it is very similar to the Virabhadrasana III (Warrior III) pose. While in yoga the arms are extended forward without support, here there is the action of pushing against the resistance of the springs. The bent back knee also resembles the foundation of Natarajasana (Dancer Pose) preparatory poses.

Works This movement practically divides the body in two; while the upper body performs a dynamic push, the lower body and core region try to keep the body as still as a statue: · Chest and Arm Muscles (Pushing Force) · Core Muscles · Grounded Leg (Active Stabilizers)

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Utthita Hasta Padangusthasana (Extended Hand-to-Big-Toe Pose) - Ballet Stretches

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Utthita Hasta Padangusthasana (Extended Hand-to-Big-Toe Pose) - Ballet Stretches

In Yoga: It is a supported version of the Utthita Hasta Padangusthasana (Extended Hand-to-Big-Toe Pose). Normally, this asana is held in balance unsupported by grabbing the big toe in the air; however, here, with the support of a bar, it is adapted to focus on deep flexibility rather than the element of balance. In Pilates / Barre: It exactly resembles the "Side" variation of the classic "Ballet Stretches" series performed on Pilates equipment (especially the Ladder Barrel, Cadillac, or Reformer tower). It is also one of the most fundamental stretching forms in Barre workouts.

Works This movement provides a deep stretch in one half of the lower body while requiring isometric (static) strength and balance in the other half: · Stretching Muscles (Leg Extended on the Bar) · Active Stabilizers (Grounded Leg) · Core and Back Muscles

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Scissors - Supta Padangusthasana

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Scissors - Supta Padangusthasana

In Pilates: This position is exactly identical to the "Scissors" or "Walking" exercises in the "Leg Springs" series performed on Pilates Cadillac or Springboard equipment. Additionally, it operates on the same logic as the asymmetrical "Feet in Straps" scissor series on the Reformer. In Yoga: It can be considered a dynamic, weighted, and resistant version of the Supta Padangusthasana (Reclining Hand-to-Big-Toe Pose), where the legs are separated while lying flat on the back. While in yoga the stretch support is provided by the hand, here the springs provide it as push/pull resistance.

Works The legs moving in opposite directions (asymmetrical loading) makes this movement a much more challenging core test than standard double-leg exercises: · Core and Obliques · Hamstrings and Gluteus Maximus (Glutes) · Iliopsoas and Quadriceps (Hip Flexors and Front Thighs)

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Chest Expansion - Bulgarian Split Squat

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Chest Expansion - Bulgarian Split Squat

In Pilates: It is a more challenging variation (brought into a lunge position) of the "Chest Expansion" or "Kneeling Arm Springs" series performed on the Cadillac (Trapeze Table), achieved by adding a box for the lower body. At the same time, it shares the mechanics of the "Front Splits" on the Reformer, where the back leg rests against the shoulder blocks, or the lunge variations on the Wunda Chair. In General Fitness: Due to the elevation of the back leg, it incorporates the lower body dynamics of the famous "Bulgarian Split Squat," while combining it with an isometric "Straight-Arm Pulldown" or "Row" movement as the arms hold the bar.

Works This movement demands a deep stretch and balance in the lower half of the body while requiring the upper half to resist spring tension: · Stretching Muscles (Back Leg) · Active Stabilizers (Front Leg and Glutes) · Back and Shoulder Muscles

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Standing Arm Springs - Tadasana (Mountain Pose)

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Standing Arm Springs - Tadasana (Mountain Pose)

In Pilates: This movement is a fundamental part of the Pilates repertoire. It exactly resembles the "Standing Row" exercise in the "Standing Arm Springs" series performed on the Cadillac (Trapeze Table) or Springboard. Depending on the resistance level and the angle of the arm, it also incorporates the mechanics of the "Chest Expansion" movement. In Yoga: Since there is no external pull resistance in yoga, it does not have a direct equivalent. However, the alignment of the lower body and the spine requires a perfect Tadasana (Mountain Pose). The mechanics of the upper body, based on the principle of opening the chest and drawing the shoulder blades together, are similar to the back activation found in heart-opening poses like Bhujangasana (Cobra Pose).

Works This exercise requires the cooperation of a moving upper body with a lower body and core region that try to keep it stable: · Back and Scapular (Shoulder Blade) Muscles · Shoulder and Arm Muscles · Core Muscles

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Ardha Hanumanasana - Front Splits

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Ardha Hanumanasana - Front Splits

In Yoga: Fundamentally, it is a combination of the Ardha Hanumanasana (Half Monkey Pose / Half Split) and the King Arthur Pose (Couch Stretch) performed against a wall to open the front of the hips. This hybrid pose, typically supported by blocks in yoga, is transformed here into a much more "suspended" and spine-elongating form using wall straps. In Pilates: It is mechanically exactly identical to the famous "Front Splits" series performed on the Reformer. While the back knee rests on the carriage on the Reformer, here it rests against the wall. Furthermore, it is an upright and more stable version of the suspended leg stretches performed by holding the springs on the Cadillac.

Works This exercise creates two different and very intense stretches (fascial elongation) in the lower body simultaneously, while requiring balance and stabilization in the upper body: · Maximum Stretching Muscles (Back Leg) · Maximum Stretching Muscles (Front Leg) · Active Stabilizers (Core and Back)

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Standing Split - Hanging Splits

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Standing Split - Hanging Splits

In Yoga: It is a tremendous gravity adaptation of the Urdhva Prasarita Eka Padasana (Standing Split) pose, inverted and supported by wall straps. It also exactly resembles the inverted suspension and stretching sequences performed using a wall and ropes (plumb lines) in Iyengar yoga. In Pilates: It is a much deeper, standing, and wall-adapted variation of the "Hanging Splits" performed with "Fuzzy" suspension straps on the Cadillac apparatus, or the "Control Balance" movement on the mat.

Works By utilizing gravity and the support of the wall, this exercise creates intense contraction (strength) in one half of the body while providing a deep fascial elongation (flexibility) in the other half: · Gluteus Maximus (Glutes) · Gastrocnemius and Soleus (Calves) · Back and Arm Muscles

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Phalakasana - Long Stretch

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Phalakasana - Long Stretch

In Yoga: Fundamentally, it is an adapted, standing, angled version of Phalakasana (Plank Pose) against gravity. At the same time, because the arms extend upward and forward, it can be considered a resisted form of Urdhva Hastasana (Upward Salute Pose) or a practice of Virabhadrasana III (Warrior III) where the feet remain on the ground. In Pilates: It is the exact standing equivalent of the famous "Long Stretch" series performed on the Reformer or "The Lean" posture on the Wunda Chair. The goal is to keep the body stable and unbending "like a board" (plank).

Works While the strap supports the hips, the entire posterior chain of the body works with a tremendous isometric (static) contraction to prevent the upper torso from falling forward (toward the ground) due to gravity: · Erector Spinae (Spinal Erectors) · Gluteus Maximus (Glutes) and Hamstrings · Deltoids (Shoulders) and Trapezius

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How the difficulty scale works

Every movement is rated from 1 to 5 on its biomechanical demands: core activation, upper-body strength, and the balance and flexibility it asks for.

Very easy: Fully supported, passive stretches performed on the floor.
Easy: Basic pulling, pushing and stretching from a stable base — seated, kneeling, or standing with support.
Intermediate: Exercises calling for active balance, moderate flexibility, or genuine core control.
Advanced: Active inversions, plank and flight shapes carried on full body weight — high core activation, shoulder mobility, and spatial awareness.
Very advanced: Acrobatic and gymnastic shapes demanding elite upper-body and abdominal strength to hold body weight stable against gravity.